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C Major Scale Chords, Chart of 6th String Root Forms
Key to Symbols


C Major Scale Chords, Chart of 6th String Root Forms

Guitar Lesson Summary & Chart Explanation

C Major Scale Chords, Chart of 6th String Root Moveable Forms

These movable chords directly replace the barre chord forms, and are what the masters like Hendrix, Page, Clapton, etc. really use. If you play electric or steel string acoustic, fret the root note (marked with a star) with your thumb. If you play a classical guitar or if you play with the guitar slung up high (i.e. at chest level rather than waist level) the root is played with the first (index) or second (middle) finger.

Movable 6th String Root
Chord Forms in this Chart:

  • C Major (C)
  • D Minor Seventh (D-7 or Dm7)
  • E minor Seventh (E-7 or Em7)
  • F Major (F)
  • G Dominant Seventh (G7)
  • A minor Seventh (A-7 or Am7)
  • B Half-Diminished (BØ or Bmin75)
[Key to Symbols]

C Major Scale

C Major Scale Notes:

C D E F G A B

Major Scale- Scale Degrees:

1 2 3 4 5 6 7

Major Scale Alternative Names:

Ionian


The Major Scale is sometime called the The Ionian Mode. It is the first mode of Major and the third mode of Minor (Built on the flatted third degree). See:

The Major Scale is seldom used for guitar solos. It has 2 notes that are traditionally considered dissonant: the 4 and the 7.

Remove the 7 and you have the Hexatonic Major Scale. See:



Take away the 4 and the 7 and you have the Pentatonic Major Scale See:


References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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