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Spanish Dominant Scale Guitar Patterns- Fretboard Chart, Key of E
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Spanish Dominant Scale Guitar Patterns- Fretboard Chart, Key of E

Guitar Lesson Summary & Chart Explanation

Spanish Dominant

This scale is sometimes called the Jewish Scale or the Phrygian Dominant Scale or the Spanish Phrygian scale or simply The Spanish Scale. It is also sometimes called the Spanish Gypsy Scale, but see below for why I don't.

To be 100% honest, in real life I've heard it called "Fifth Mode of Harmonic Minor" more than anything else.

Spanish Dominant is the fifth mode of Harmonic Minor.

This is a somewhat exotic sounding scale. Flatting the third scale degree gives us the Spanish minor scale. Raising the seventh scale degree gives us the Double-Harmonic or Arabic scale.

If you are looking for a very Metal sounding scale with a 3, this one will get the job done. In fact I consider this a Must-Learn scale for intermediate to advanced Metal guitarists.

Notes:

  • E F G# A B C D

Scale Degrees:

  • 1 2 3 4 5 6 7

Alternative Names:

Fretboard Diagram showing the 5 CAGED Scale Positions of the Spanish Dominant Scale. It is in the dominant family of chord and scale qualities and is the fifth mode of Harmonic Minor. Also called the Phrygian Dominant, or Jewish Scale.

Note: This scale is often referred to as the Spanish Gypsy scale. Gypsy (with a capital G) typically references Europe's Roma (or Romani) population, many of whom consider it an offensive term, if not an outright racial slur. In the United States, guitarists often have a more positive view of the term as we tend to associate it with Jimi Hendrix and 15 minute long psychedelic guitar solos. Regardless, this site will use the far more accurate, descriptive, and non-offensive name Spanish Dominant Scale.. Considering how many names this scale has, it seems absurd to hang onto a derogatory one.

Related:

References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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