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Pentatonic Major Scale Guitar Fretboard Patterns- Chart, Key of C
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Pentatonic Major Scale Guitar Fretboard Patterns- Chart, Key of C

Guitar Lesson Summary & Chart Explanation

C Pentatonic Major Scale

C Pentatonic Major Scale Notes: C D E G A
Pentatonic Major Scale Scale Degrees:1 2 3 5 6
Pentatonic Major Scale Alternative Names:The Country & Western Scale

Pentatonic Major: Not Just for Country

The Pentatonic Major Scale is sometime called the The Country Scale or The Country and Western Scale. Having said that, every country guitarist I know calls it Pentatonic Major.

It is obviously of critical importance to Country and Western Guitar players. When playing Country music the bends and other techniques must be executed precisely.

It doesn't always sound Country! Your phrasing and rhythm will determine how it sounds. It is a very flexible scale capable of many different moods and sounds.

To be honest, if you can play the hell out of the Blues Scale and the Pentatonic Major you could probably kick ass soloing over the majority of popular music you would encounter, without having to whip out any of the more advanced scales (but where's the fun in that?).

Pentatonic Major Scale Usage

The Pentatonic Major Scale is usually a safe choice against both Dominant and Major progressions. It is a subset of both the Major Scale (AKA Ionian Mode) and the Dominant 7th Scale (Mixolydian Mode). See:

It removes the 2 notes that are traditionally considered dissonant from the Major Scale: the 4 and the 7.

Add back the 4 and you have the Hexatonic Major Scale. See:

Check out the Hexatonic Scale Theory Guide if you are unfamiliar with Hexatonic Scales.

You could also think of Pentatonic Major Scale as a Major 6add9 Scale based Arpeggio. The notes and therefore the patterns on the guitar neck will be exactly the same. See:

The Guitar Fretboard Diagrams show all 5 CAGED system forms of the Pentatonic Major Scale on the guitar neck in the key of C.

This is an essential scale that every guitar player should eventually know.

References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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