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A Minor Arpeggios Patterns on Guitar- Position V Chart
Key to Symbols


A Minor Arpeggios Patterns on Guitar- Position V Chart

Guitar Lesson Summary & Chart Explanation

Harmonized Scale of A Natural Minor, Arpeggios:


A Minor Arpeggios Patterns on Guitar- Position V (12th Fret, i.e. the root of the V chord) Chart

The A Natural Minor Scale

Quality / Family:
Minor
Also Classified As:
  1. Diatonic Mode
  2. Church Mode
  3. Major Scale Mode
  4. Heptatonic
Notes in Key of A Minor:
A B C D E F G
Scale Degrees:
1 2 3 4 5 6 7
Alternative Names:
A Pure Minor
A Aeolian Mode
A Minor
Is a Mode of:
All Seven Diatonic Modes
Important Modes:
The Major Scale is built on the bIII
The Dorian Minor is Built on the IV
The Spanish Minor is built on the V

These are diatonic and are shared by all seven diatonic modes. They are exactly the same as the chords on the A Minor Guitar Chords Sixth String Root Chord Chart, but we are playing the notes as if they were scale patterns.

Arpeggios Diagrammed in this Chart:

  • A minor Seventh (A-7 or Am7)
  • B Half-Diminished (BØ or Bmin75)
  • C Major Seventh (C∆7 or CMaj.7)
  • D Minor Seventh (D-7 or Dm7)
  • E minor Seventh (E-7 or Em7)
  • F Major 7 (F∆7 FMaj.7)
  • G Dominant Seventh (G7)
[Key to Symbols]

Notes A B C D E F G Scale Degrees: 1 2 3 4 5 6 7


Alternative Names:

A Pure Minor
Aeolian
A Minor

Scale Based Arpeggios:

These have the same notes as the chords they are derived from; but they are laid out in the numerical or alphabetical sequence of the notes that make them up (e.g. R, 3, 5, 7, or A, C#, E, G# etc.) rather than in the voicings of the various chord grips like the chord based arpeggios.

They may start on any scale degree depending on which hand position you are in.

The whole neck can be covered in 5 forms just like the scales.

References

Aebersold, Jamey, and Jamey Aebersold Jazz. How to Play Jazz and Improvise. V. 1 V. 1. New Albany, IN: Jamey Aebersold Jazz, 1992.
Bay, William. Mel Bays Complete Book of Guitar Chords, Scales and Arpeggios. Pacific, Mo: M. Bay, 1992.
Be dangerous on rock guitar. Port Chester: Cherry Lane, 1984.
Berle, Arnie, and Ronnie Ball. Chords & Progressions for Jazz & Popular Guitar. New York: Amsco Publications: Exclusive distributor, Music Sales Corp, 1986.
Damian, Jon, and Jonathan Feist. The Guitarists Guide to Composing and Improvising. Workshop / Berklee Press. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by H. Leonard Corp, 2001.
Jamey Aebersold. Major & Minor. [S.l.]: Jamey Aebersold.
Latarski, Don. Arpeggios for Guitar: A New Approach to Arpeggios and Their Relationship to Chords and Scales, for the Rock, Blues and Jazz Guitarist. Van Nuys, CA.: Alfred, 1990.
Latarski, Don Practical Theory for Guitar. Miami, Fla.: Warner Bros. Publications, 1993.
Nothiin [sic] but blues for all musicians play-a-long book and stereo CD set. New Albany: Jamey Aebersold Jazz.
Perricone, Jack. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Guide. Boston, MA: Milwaukee, Wis: Berklee Press; Distributed by Hal Leonard, 2000.
Roth, Arlen. Hot Guitar. San Francisco: Emeryville, CA: Milwaukee, WI: Miller Freeman Books; Distributed to the book trade in the U.S. and Canada by Publishers Group West; Distributed to the music trade in the U.S. and Canada by Hal Leonard Pub, 1996.
Scales & Modes in the Beginning: Created Especially for Guitarists. Fullerton, CA; Winona, MN: Centerstream Publications; Exclusively distributed by Hal Leonard Pub. Corp., 1982.
Shearer, Aaron. Learning the Classic Guitar. Pacific, MO: Mel Bay, 1990.
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